| The Piano Teacher | |
|---|---|
French promotional poster |
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| Directed by | Michael Haneke |
| Screenplay by | Michael Haneke |
| Based on | Die Klavierspielerin by Elfriede Jelinek |
| Starring | Isabelle Huppert Benoît Magimel |
| Music by | Martin Achenbach |
| Cinematography | Christian Berger |
| Editing by | Monika Willi Nadine Muse |
| Distributed by | Kino International |
| Release date(s) | 14 May 2001 (Cannes) 5 September 2001 (France) |
| Running time | 120 minutes |
| Country | France Austria |
| Language | French |
| Box office | $13,897,768 |
The Piano Teacher (French: La Pianiste) is a 2001 film directed by Michael Haneke, starring Isabelle Huppert and Benoît Magimel. The film is based on the novel Die Klavierspielerin by Elfriede Jelinek who received the Nobel Prize for Literature in 2004.
Contents |
Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a lunatic asylum.
The audience is gradually shown truths about Erika's private life. Behind her assured façade, she is a woman whose sexual repression verges into full-fledged desperation and is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.
When Erika meets Walter Klemmer (Benoît Magimel), a charming 17-year-old engineering student from a bourgeois background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.
Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter — and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.
Walter is increasingly insistent in his desire to start a relationship with Erika, but when she finally acquiesces, he is unwilling to indulge her violent fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her. She discovers that the reality of her desires does not match her conception of them.
Erika takes a kitchen knife to a concert in which she is supposed to fill in for the injured Anna. She meets Anna and Anna's mother, and Walter, in the foyer of the concert hall. Minutes before the concert is due to start, Erika stabs herself in the shoulder and leaves the foyer. Her onscreen injury is not especially severe, but the implication is that further self-harm will ensue.
2002 German Film Awards
2001 French Academy of Cinema
2002 L.A. Film Critics Association
2002 National Society of Film Critics
2001 Russian Guild of Film Critics
2002 San Francisco Film Critics Circle
2002 Seattle International Film Festival
2002 Bafta Awards
2003 Bodil Awards
2001 French Academy of Cinema
| Awards | ||
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| Preceded by Devils on the Doorstep |
Grand Prix, Cannes 2001 |
Succeeded by The Man Without a Past |
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